Goodbye, Dragon Inn is the first film of his I’ve watched. Goodbye Dragon Inn also featured cameo performances by two of the original film’s actors, Shih Chun and Tien Miao. One of the director's most renowned films along with his more outrageous subsequent release, 2005's The Wayward Cloud, Goodbye, Dragon Inn received some very mediocre releases on DVD in the mid-'00s but underwent a full 4K restoration in 2020 that makes for a far more satisfying viewing experience than we've had in decades. On a dark, wet night a historic and regal Chinese cinema sees its final film. Desperate to get in from the rain, the man takes refuge inside an old cinema that is showing martial arts film 'Dragon Inn' (1967). In this wide-ranging and elegiac essay, Nick Pinkerton reflects upon Tsai Ming-liang’s 2003 film Goodbye, Dragon Inn, a modern classic haunted by the ghosts and portents of a … . As one is reminded throughout Goodbye, Dragon Inn, even when one goes to the movies alone, one does so to find a connection with others. Goodbye, Dragon Inn (Bú sàn, 2003) presented from a brand new 4K restoration of the film. Full Review. Taiwanese director Tsai Ming-Liang directed the critically acclaimed film Goodbye, Dragon Inn (2003). Goodbye, Dragon Inn (Bú sàn, 2003) presented from a brand new 4K restoration of the film. A new and exclusive filmed interview with director Tsai Ming-Liang. Tsai Ming Liang's recent piece "Goodbye, Dragon Inn" (Bu San) is a film chock full of beautiful color and rich, textured moods. film is long overdue. There exists extensive use dialogue techniques applied by Hu in the film Dragon Inn, with a resound of the old movie breaking the silence of a diminishing audience that seems extremely bored. Far from superseding the Eureka! It's a good choice. Goodbye Dragon Inn takes place in a leaking, dilapidated movie theater on the last (rainy) day of its existence. A new and exclusive filmed interview with director Tsai Ming-Liang. Opening with a dated orchestral motif that itself seems plucked from a time long since passed (imagine the 20th Century Fox fanfare played through a walkie-talkie), a sense of longing is immediately established as the film opens inside the cavernous Fu-Ho Grand Theatre. Arrow and Criterion have editions incoming in the UK and US respectively, but Germany’s Turbine Media was first out the gate with their 4K UHD earlier this year. After having the emperor’s minister of defense executed, a power-grabbing eunuch sends assassins to trail the victim’s children to a remote point on the northern Chinese border. Goodbye, Dragon Inn With just a bare-bones DVD available since the early 00s, this 4K restoration of Cronenberg’s (best?) Goodbye Dragon Inn will also screen on Sun 14 March. Scene. It helps make the movie feel very atmospheric … In an old Taipei movie theatre, on the eve of a "temporary closing", King Hu’s 1967 wuxia classic Dragon Inn plays to a … I think the only way this film approaches a degree of artist merit is in its borderline-sadistic celebration of the death of cinema. Rob Aldam Backseat Mafia. For its final film, Tsai has chosen an old kung-fu film, King Hu's Dragon Inn (1967). The art of martial-arts filmmaking took a leap into bold new territory with this action-packed tale of Ming-dynasty intrigue. watched Dragon inn maybe 10 or 12 years ago and I couldn't remember its greatness. Goodbye, Dragon Inn is the first title in their 10-part 'Decadent Editions' series. Watched ((Goodbye dragon inn)) few days ago and now I can understand the regret in their(two main characters) eyes. Is cinema really dying? This movie is great from every aspect but is easy to forget. The final screening at a run-down Taipei cinema is the venue for GOODBYE, DRAGON INN [BO SAN], Tsai Ming-Liang's poetic, touching and intermittently humorous example of 'slow cinema'.Slarek becomes absorbed by the film's lingering focus on suggestion and small character details and salutes the quality of Second Run's recent Blu-ray release. Wryly minimal and lushly nostalgic, Goodbye, Dragon Inn is a movie about watching movies that holds up an inquiring mirror to its audience. As movie houses close and corporations dominate, the art form is at risk of changing beyond recognition. Together with a small handful of souls they bid "Goodbye, Dragon Inn." Plot. Goodbye, Dragon Inn (Bú sàn, 2003) presented from a brand new 4K restoration of the film. About the Film. Version, Criterion has provided content that supplements the earlier material. It features the characteristic pacing of Taiwanese film, and it is composed of shot upon remarkable shot of a crumbling movie theatre in its final days, playing the last runs of "Dragon Gate Inn", a martial art classic Dir. Goodbye, Dragon Inn is out on 23rd November on region-free Blu-Ray and DVD in the UK, released by Second Run. This is a film that really haunts me, popping up at the back of my mind every once in a while, which is what defines an all time great to me; having been touched, but not knowing exactly what to make of a given film immediately after watching it, and then the continuous thinking about it for weeks, months and years afterwards. The movie has very little dialogue and almost no camera movement whatsoever. Goodbye, Dragon Inn (Tsai Ming-liang) Though far better known by its English title, the appropriately elegiac Goodbye, Dragon Inn , Tsai Ming-liang’s 2003 masterpiece bears a rather different name in Mandarin (rendered here via pinyin): Bú sàn , which roughly translates to “never leaving,” or—if one prefers the Sartre connotation—“no exit.” But I can tell you it most certainly won’t be the last. It isn't the strongest disc in Criterion's lineup for special features, but the transfer of the film itself makes Dragon Inn an attractive purchase nonetheless. The film is set in a decrepit Taipei movie theater on its final night in business which is screening Dragon Inn. Yet Goodbye, Dragon Inn, released nearly two decades ago by the internationally acclaimed Tsai Ming-liang (whose latest, Days, premiered at this year’s Berlinale), is too multifaceted to collapse into a simple valentine to the age of pre-VOD cinephilia. I disagree. Taiwan. Goodbye, Dragon Inn (Bú sàn, 2003) presented from a brand new 4K restoration of the film. Directed by King Hu • 1967 • Taiwan The art of martial-arts filmmaking took a leap into bold new territory with this action-packed tale of Ming-dynasty intrigue. Madam Butterfly (2009, 36 mins): world home-video premiere of Tsai s remarkable modern-day interpretation of the classic story. After having the emperor’s minister of defense executed, a power-grabbing eunuch sends assassins to trail the victim’s children to a remote point on the northern Chinese border. The feature film takes place in a decaying cinema … by King Hu. In his exclusive half-hour-plus interview for distributor Second Run, the affable Tsai Ming-Liang makes a striking admission: “I make very uncommercial films.” Viewers of the extra will most likely have just finished Goodbye, Dragon Inn (Bú sàn) (2003), Ming-liang’s feature-length exploration of precisely everything that comes of those pesky “uncommercial films”. A new and exclusive filmed interview with director Tsai Ming-Liang. What makes Goodbye, Dragon Inn so unique is how the movie is made. A sparse audience attends the last show in a cavernous movie house. From Chris Fujiwara’s 800-page collection Defining Moments in Movies (London: Cassell, 2007).— J.R. Although considered a classic, few people take notice of the film, attempting instead to find a suitable partner for the night. It looks and sounds gorgeous on Blu-ray, with rich textures and colours, though I noticed a couple of very brief, barely noticeable flashes of what seemed like stains on a couple of frames. Goodbye, Dragon Inn is set in the approximately 90 minutes of the last feature at an old Taipei cinema that is closing down, showing King Hu's 1967 sword-fighting classic Dragon Inn.Only a few people are present in the cinema, and a variety of subplots are developed around them. Madam Butterfly (2009, 35 mins): world home-video premiere of Tsai s remarkable modern-day interpretation of the classic story. Why it’s Key: A minimalist master shows what can be done with an empty movie-theater auditorium. Directed by Ming-liang Tsai. Many people say "GOODBYE, DRAGON INN" is a non-film intentionally devoid of any artistic merit or any thought-provoking content. A new and exclusive filmed interview with director Tsai Ming-Liang. Goodbye, Dragon Inn film takes roughly 90 minutes of action, beginning with a humble introduction of the Dragon Inn film that hit the Taiwanese acting scenes way back in late 1960s. Goodbye, Dragon Inn is a great love letter to movie theaters. Few films have so lovingly evoked the dream life of a particular space—a storehouse of memory and fantasy, exerting its … Dragon Inn was remade twice, first as New Dragon Gate Inn (1992) and again in 2011 as Flying Swords of Dragon Gate. Madam Butterfly (2009, 36 mins): world home-video premiere of Tsai s remarkable modern-day interpretation of the classic story. With Kang-sheng Lee, Shiang-chyi Chen, Kiyonobu Mitamura, Tien Miao. Second Run's release of Goodbye, Dragon Inn will be on November 23. Hu's magnificently fluid action camerawork completely juxtaposes Tsai's still, lingering shots. Goodbye, Dragon Inn by Nick Pinkerton is available for order from Fireflies Press web shop, and in stores from March 1. Original title: Bu san. 2003 / Goodbye, Dragon Inn – The shot of the empty auditorium near the end. Today, with it having just received a long-overdue Blu-ray restoration, Goodbye, Dragon Inn feels more powerful than ever. I recently saw somebody on Twitter say that Goodbye, Dragon Inn was “THE best film of the past 125 years”. Director: Ming-liang Tsai. And while I don’t agree with such a bold exclamation, I fully understand why they said that. Yet it's a fairly obscure work. 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