I think every little tid bit in here, everyone needs to read this because it’s just so apt and the same with Ted Whitman and the modern art where they swipe his panels-Alex: Yes, right. We’re looking at an implosion sooner or later, the firing at DC of the various talents they let go, really demonstrates the fact that I’ve been saying for some time that comic books really are no longer necessary to the mass market anymore than Disney needs more new Micky Mouse or Warner Brothers needs new Bugs Bunny. I have no fucking idea. See more ideas about Comic art, Comics, Comic books. So he was essentially… was he teaching you to story tell and you absorbed it all?

He thinks they’re the ones that nobody can top.Chaykin: I’ve never had someone drive me so close to the edge of grabbing food from my nostril. Alex: So welcome again to the Comic Book Historians podcast. Tell us about your role meeting Byron Preiss. Basically it operates in world in which I’m very familiar and about material I’m really fascinated by. As much as I dislike him intensely, Grant Morrison’s All Star Superman was just lovely.Jim:                Oh yeah. But I like doing different stuff and if I’m really lucky my audience occasionally catches up with me.Jim: If you eventually release this in one hard cover-Jim: Anything else you want to say about the upcoming one?Chaykin: I’m pretty happy with it. And it was great to do a black and white book at that era as well.Jim: Yes it was great. By the time I was 15 or 16 I had developed, from smoking as well, I developed this voice, that voice had carried more authority than it deserves I might add.Alex:               When you say this voice you mean your manner of speech right now?Chaykin:            The way I sound now. On the right you’ve got crypto Nazis or Nazis, lets call a spade a spade, on the left you’ve got people who are gatekeepers of a level of performative morality who encourage diversity but the diversity is extremely specific who encourage inclusion but are very exclusive in their inclusivity. Not to sound puerile or just, you know, or to blow the fantasies of American comic book readers, but this is a job and I was in serious debt and I had an opportunity to get out of that dept and the money that’s flat, the money they offered to me, it was going to make that possible.Chaykin:            I created this book, it was a kitchen sink comic book. There’s no value whatsoever. I mean he’s the guy that did the covers to Hey Kids!.Chaykin: They’re not really photographs it’s photo manipulation.Alex: Yes, that’s cool. I was 12 when Kirby left Marvel and went to DC, and we knew who Kirby and Ditko were partly because the advertisements were, “Kirby is coming.”Chaykin:            I mean, look, the fact is by the time the Marvel stuff comes along… I get turned on at Marvel at around this time. That was the bottom line. If you find an image in the database that is not shown here, please edit that image adding "Howard Chaykin" as an image penciler. Okay.Jim:                I think Kane was one of the best.Jim:                I think Kane was one of the best at the animals.

I entered kindergarten reading on the fourth grade level because of comics.Jim:                Yeah, that’s what we hear each time. It was a glorious list. If I haven’t got baggage what’s the point of being neurotic?Jim:                If you didn’t say Jew in Brooklyn in the first five minutes of this talking I would’ve felt like I had failed in this initial question.Chaykin:            I’m here for you in that regard.Jim:                So let’s hear that background a little bit. I was disappointed. I am, I am nothing but a grind.Chaykin:            It’s the truth. I had nothing going on. The size of the book will not but the thickness of the book will certainly be. You know, I mean, so much underpinning why I became a writer of my own stuff was that I realized that most of the people who were being accredited to write the material that I was drawing had failed as artists.Jim:                But now tell us about when it, after you did it in the color comic, it went on and became part of the magazine line and you were painting it, right?Chaykin:            I was doing it in full color and marker, it was kind of a mess. Prophets mean Old Testament prophets not the other one. And my left is an Edwin Georgie painting. and so were the cigarettes.

But yeah, I’d have to agree with that.

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