There’s almost a sense of mild disappointment when we see pictures of Bobby, Eddie and David in different clothes which highlight their minor physical differences, rather than when we see them seated in identical stripy jumpers, saying the same thing at the same time.The young men too become so practised on those TV sofas reeling off their similarities to entertain us, while journalist Lawrence Wright points out it’s their differences that matter. And it was not fun to be the odd man out.”They met their mother, briefly, in the early ’80s.
They convened a meeting with several officials at Louise Wise, who gave them little information.“They said the reason was because it was hard to place three children in one home,” Kellman says in the film. While there’s no word yet on when it will be making its way to Australia, if you’re planning to watch the doco, here’s a warning: major spoilers ahead. )We tend to assume that modernity means progress, but so many horrific ideas in science, psychology and medicine, from which we now rightly recoil, were once seen as progressive. To answer the question of nature versus nurture.The brothers were placed with families who were working class (Kellman), middle class (Galland) and upper middle class (Shafran). He had moved close to David and his family when he ultimately died — he was living across the street from them, which is kind of tragic.”After Galland’s suicide, Shafran and Kellman drifted apart, their relationship indelibly marked by the whiplash of initial euphoria and the harrowing events that came later.“It would be fair to say their relationship was very strained from the point [Robert] left the restaurant,” said Wardle, who says the two remaining brothers did begin to get somewhat closer over the course of making the film.Today, Shafran is a lawyer living in Gravesend, Brooklyn; Kellman, who is still in New Jersey and in the process of a divorce, is an independent general agent working in life insurance, Medicare and annuities. According to their adoptive parents, as babies, all three would regularly bang their heads against the bars of their cribs in distress.Kellman thinks he knows why: “It was absolutely separation anxiety.”Mental health issues continued as the boys got older. In 1980 New York, three young men who were all adopted meet each other and find out they're triplets who were separated at birth. The intention? Later that day a friend of Eddie’s found him, and asked him if he was adopted and when his birthday was; soon they were both in Bobby’s car en route to Edward “Eddie” Galland’s house, and a reunion as moving as it was fast.Their story made the headlines, and then became even more incredible when a third identical brother turned up: David Kellman.As the three boys got to know each other, their parents tackled the adoption agency as to why they hadn’t been told their babies were not, in fact, singletons; and then came news of a secret twin study that had deliberately separated identical twins and the triplets, adopting them out to different families.Every year during their childhoods the three boys had been assessed by researchers; the parents were simply told it was a study of how adopted children adjust.It sounds unbelievable, and it’s a story which makes me wish I hadn’t used the word “unbelievable” about so many very believable things over the years before watching Despite this hugely damaging experiment, by the end of the film there’s still no consensus around nurture vs nature even among the documentary’s participants, and the study itself was never completed or published. Three Identical Strangers is a 2018 documentary film directed by Tim Wardle, about the lives of Edward Galland, David Kellman, and Robert Shafran, a set of identical triplets adopted as infants by separate families. And they could have helped,” Kellman told The Post. Now, talking direct to camera, two of them, now in their 50s, still tell their story with practised ease, until they get to the great sadnesses of their lives which leave them feeling bewildered once more (Eddie, took his own life in 1995, a shattering blow to his brothers, already dealing with so much fallout).What they missed out on was not just two decades of brotherly love and friendship but also the squabbles and jealousies that bloom among every family with more than one child; where most of us learn, to a greater or lesser degree, to rub along together when we have to.The ending also makes us look at our own culpability in these feel-good tales and what we expect from the actual participants. But this is very much a documentary of two halves. And if history tells us something it’s that it repeats itself; despite our claims that something should never happen again we are remarkably lax about blocking such ideas.Rotten Tomatoes-approved critic, John Wick lover and Gerard Butler apologist. “She was like, ‘You’re the guys!
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