Along with “When I Get Back From New York,” there’s nothing that sticks – Lopatin is known for eschewing drum machines in favor of letting rhythm reveal itself in other ways, but most of Pessimistic Romanian philosopher Emil Cioran once said: “I’ve invented nothing; I’ve simply been the secretary of my sensations.” It’s telling that Cioran — a nihilist confounded by simple beauty — would be a figure of fascination (and something of a kindred spirit) for Daniel Lopatin. “Good Time,” which won the Soundtrack Award at Cannes last month, follows a bank robber (Pattinson) who finds himself unable to evade those who are looking for him.“About 8 years ago, we were turned onto the music of Oneohtrix Point Never,” Josh Safdie Lopatin added, “To me the Safdies are doing something really unique and yet drenched in tradition. You can’t dance to it and you can’t fuck to it (or at least it would be lousy for either of those activities). Following the release of his best full-length so far Snaring Daniel Lopatin to tell us about his thirteen favourite albums feels like a wise move - not least because this list has provided us with, hands down, the most retina-scorching Baker's Dozen's worth of record artwork so far (spend some time on page #13 for some sumptuous optical delights).
Byrne said he’s expecting the album to be out “early next year” and revealed the news of his collaboration when answering a question about his writing process.“Last week, I wrote words and a melody over a track that Daniel Lopatin sent me, so I change depending on the situation,” he explained. Sometimes, Lopatin is laughing All that is to say, Oneohtrix Point Never makes for an intriguing listen.
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As a wholly independent publication, we rely entirely on our ad bookings to keep The Quietus going. r/oneohtrixpointnever: A community for the discussion of Oneohtrix Point Never or anything that you may associate with it. There's a great deal of naive, disarmingly direct work within his back catalogue, but it's hyper-aware of context. Press question mark … The Pitchfork Readers Poll features your picks for the best (and worst) in the world of music, including your choices for Top Albums … Ironically, rock music was considered too “new” at the time to be considered essential to extraterrestrial understanding of earthlings, especially in comparison to classical greats, like Mozart, Beethoven, and Stravinsky.These days it’s hard to think of music more appropriate in some ways, but less representative in others, of earthling sounds than the catalogue of Oneohtrix Point Never. The 10 Best Movies of This Year’s Festival ... Robert Pattinson’s Cannes Drama Gets Award-Winning Album From Oneohtrix Point Never — Listen. It's Tuesday morning in Brooklyn, New York where I reside. Lopatin’s Each of these tracks, including the LP’s final offering, “KGB Nights,” utilize undulating crescendos to build a nondescript narrative.
I think of Jarmusch, Tarantino, Carax — directors whose love of the history of cinema is too strong to keep out of the filmmaking itself, but remain totally idiosyncratic anyway.”The Safdie brothers have been fixtures at Cannes since their first two features, “The Pleasure of Being Robbed” and “Go Get Some Rosemary” (also titled “Daddy Long Legs”), which played in the festival’s Directors Fortnight section in 2008 and 2009.Interviews with leading film and TV creators about their process and craft.Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox
The skittering synth of “Zebra” meshes well against coasting bars of distorted vocals, blips of horns, and gonging bells, rippling together like the black and white-striped hide of the beast for which its named. The thirteen he's selected certainly confirm that Lopatin's taste in records is every bit as unique as his own take on synthesiser-based music.While Lopatin's ended up as something of a poster boy for the boom in all things synth, his music remains deeply idiosyncratic, and doesn't settle into any category with ease.
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