“The coal sacks began as an extension of how the body could be looked at. The Savannah Centre for Contemporary Art (SCCA) has opened its doors in Ghana The Savannah Centre for Contemporary Art, located in Tamale, Ghana, is an artist-run project space, exhibition and research hub, cultural repository and artists’ residency. Installation view for the 22nd Biennale of Sydney (2020), Cockatoo Island. As part of his contribution to the development of Africa through art, Ibrahim was named the 73rd most influential African by theafricareport.com in the list of 100 most influential Africans 2019/2020In 2019, he started the Savannah Center for Contemporary Art (SCCA), Tamale.Ibrahim Mahama repurposed 120 scratched second-class train seats through a parliament he calls the "parliament of ghost", a replica of Ghana's parliament chamber. Commissioned by the Biennale of Sydney with generous support from Anonymous, and assistance from White Cube. The sacks present patches, markings and traces of traders’ names and locations on their rough brown skin, which map out the many transits they endure as vessels of commodities.
The final product – the art – is equally displayed in market places thus defying the artifacts’ intrinsic value system. In his installations and wall-based works, Ibrahim Mahama considers the ways in which capital and labor are expressed in common materials. He often works with found objects, transforming them in his practice and giving them new meaning. IBRAHIM MAHAMA. In his installations he works with cocoa and coal jute sacks, a result of his investigation of the conditions of supply and demand in African markets. Born 1987 in Tamale, Ghana. It is an initiative of world-renowned Ghanaian artist, Ibrahim Mahama, as a contribution towards the development and expansion […] "Freedom and justice for all including the so-called ‘non-life’. It contains all these system and makings of original owners, which have been transferred from the bodies creating a link between the two forms,” the artist has said. Ibrahim Mahama (born in 1987) is a Ghanaian author and an artist of monumental installations. © 2020 Saatchi Gallery. Ibrahim Mahama, A Grain of Wheat, 2015-18, mixed media. Ibrahim Mahama uses the transformation of materials to explore themes of commodity, migration, globalisation and economic exchange. Lives and works in Tamale, Accra and Kumasi, Ghana.
Included in the 2015 Venice Biennale, Mahama is best known for his use of jute sacks, cloth bags once used to carry cocoa and now employed as vessels for coal.
Often made in collaboration with others, his large-scale installations employ materials gathered from urban environments, such as remnants of wood, or jute sacks which are stitched together and draped over architectural structures.
Presented at the 22nd Biennale of Sydney with generous support from Andrew Cameron AM and Cathy Cameron, and Anonymous, and assistance from White Cube. Mahama was born in Tamale in Ghana’s Northern Region, where he founded the Savannah Centre for Contemporary Art ( SCCA ) – an institution conceived as a studio space and exhibition venue for artists.
Ibrahim Mahama’s practice of swathing buildings in fabric should be read within this framework. Often made in collaboration with others, his large-scale installations employ materials gathered from urban environments, such as remnants of wood, or jute sacks which are stitched together and draped over architectural structures. In his installations and wall-based works, Ibrahim Mahama considers the ways in which capital and labor are expressed in common materials. He lives and works in Tamale, Ghana. Torn, written on and transformed, the stamp PRODUCT OF GHANA still adorns the old sacks. So far, he has one published book titled Ibrahim Mahama: Exchange Exchanger (1957 - 2057).
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